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Sainte-Chapelle

Sainte-Chapelle

Church

La Sainte-Chapelle, dite aussi Sainte-Chapelle du Palais, est une chapelle palatine édifiée sur l’île de la Cité, à Paris, à l'emplacement de la chapelle Saint-Nicolas-du-Palais, à la demande de Saint Louis afin d’abriter la Sainte Couronne d’épines, un morceau de la Vraie Croix, ainsi que diverses

Sainte-Chapelle

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History

Nestling in the heart of the Ile de la Cité, within the walls of the Palais de la Cité, the Sainte-Chapelle is one of the most accomplished examples of French Radiant Gothic architecture. Built in record time between 1242 and 1248, it stands out as a prodigy of medieval architecture: its stone walls seem to have dissolved entirely to make way for a wall of light, supported by a stone framework of astounding finesse. What makes this monument truly unique is the density and exceptional quality of its stained glass windows. With more than 1,113 square metres of stained glass divided into fifteen monumental bays, the Upper Chapel is one of the best-preserved medieval stained glass ensembles in the world. The 1,130 or so panels depict more than 1,000 scenes from the Old and New Testaments, forming a veritable cathedral of light that the sun transforms into a spellbinding kaleidoscope at different times of the day. The building comprises two superimposed levels with radically different uses: the lower chapel, with its barrel vault and restored polychrome decoration, was reserved for the servants and domestic staff of the royal palace. The upper chapel, accessible by a spiral staircase of rare elegance, was reserved for the king and his court, allowing Louis IX to be as close as possible to the sacred relics he had purchased at great cost. A visit to the Sainte-Chapelle is an extraordinary sensory experience. As soon as you enter the upper chapel, you are immediately struck by the iridescence of the thousands of coloured glass fragments that bathe the space in golden, red and blue light. The flamboyant rose on the western façade, added in the 15th century, concludes this visual narrative with an explosion of disconcertingly modern geometric shapes. The setting itself is a rare treat: on the Ile de la Cité, a stone's throw from Notre-Dame Cathedral, currently under restoration, and the flower market, the Sainte-Chapelle is an essential stop-off for anyone wishing to grasp the very essence of medieval Paris and the artistic ambitions of the reign of Saint Louis.

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