On the banks of the Isle in Périgord, Château de Longua combines the neoclassical elegance of the early 19th century with the aura of a medieval chapel dating from 1435, all set in parkland designed by the great Bülher.
Nestling on the banks of the Isle, the Perigord river with its silver sheen, Château de Longua is one of those silhouettes that seem to have sprung from a Stendhal novel: sober neoclassical volumes, ordered facades, romantic parkland with carefully controlled perspectives. Rebuilt in 1818 on the remains of a medieval castle, it is the perfect embodiment of the Restoration art of building, a pivotal moment when France, emerging from the turmoil of the Revolution and the Empire, rediscovered a taste for the long term and for putting down roots in the land. What sets Longua apart from so many other residences from the same period is the depth of its historical palimpsest. Beneath the 19th-century stones lie the layers of a Gallo-Roman villa, a medieval settlement and centuries of rural life in the Périgord. The attentive visitor can see this density of time in every corner of the estate, particularly in the Gothic chapel dating from 1435 - the only intact vestige of the old state - whose austere simplicity contrasts admirably with the orderly clarity of the château next door. The park is a destination in itself. Attributed to Denis Bülher, one of the most renowned landscape gardeners of nineteenth-century France, it unfurls its masses of vegetation in accordance with the principles of the Romantic landscape garden: winding paths, vistas over the Isle and cleverly composed groves. A walk here is an invitation to contemplate, carried by the whisper of the nearby river. Perfectly preserved since its reconstruction, with no notable additions or mutilations, Longua is an exceptional testimony to the aristocratic art of living under the Restoration. Its interior décor, period furniture and fittings form a coherent and rare ensemble, just an hour from Périgueux, in a Périgord Blanc region that is still not very popular with mass tourism.
Château de Longua, as it stands today, is a homogeneous work of art from the first quarter of the 19th century, a precious example of high-quality provincial neoclassicism. The design follows the principles in force during the Restoration period: regular facades punctuated by balanced bays, gently sloping roofs with hipped ceilings and carefully dressed ashlar quoins. The two-storey main building is laid out as a rectangular main building flanked by short wings, a design inherited from classical French châteaux, but with streamlined proportions. The large, symmetrical openings let in plenty of soft Périgord Blanc light. The materials used, local limestone in the characteristic blond tones of the region and authentic slate for the roof, blend harmoniously into the landscape of the Isle. The interior retains its original layout, with stucco decorations, marble fireplaces and wood panelling typical of the late Empire and Restoration styles. The layout of the reception rooms on the ground floor and the private flats upstairs reflects the customs of good provincial society at the time. This complete preservation of the decor and layout gives the property a rare authenticity. The Gothic chapel dating from 1435, set back from the main building, provides a striking architectural counterpoint. Its medieval structure, pointed arch openings and compact volume are a reminder that the soil of Longua has a much longer history than its elegant neoclassical château. Together, the two buildings sum up five centuries of French architecture in a particularly eloquent dialogue of stone.
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Saint-Médard-de-Mussidan
Nouvelle-Aquitaine