
A former stronghold in the Beauce region, La Touche-Hersant combines Renaissance austerity with classical elegance: a building dating from 1567, a chapel from 1572 and an 18th-century main building enclosed by a moat and corner towers.

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Hidden away in the beauceron bocage at Lanneray, on the outskirts of Châteaudun, Château de la Touche-Hersant is a seigniorial complex of rare historical coherence. Where many patrician residences have lost their medieval appearance under the plaster of the centuries that followed, La Touche-Hersant unashamedly displays the superimposition of its different eras: a moat, a postern flanked by two corner towers, an isolated Renaissance building and a classical main building form a surprising whole, almost an open-air lesson in architecture. What makes this monument truly unique is the mystery surrounding its oldest building, dated 1567. Rectangular, squat, with loopholes under the roofs and beautiful round-headed windows topped with pediments, it has intrigued historians for decades: was it a private chapel, a fortified granary, or a sort of dual-purpose building, sacred and defensive, designed during the most tense years of the Wars of Religion that were ravaging the region? This ambiguity, far from impoverishing the visit, gives it a rare depth. The eighteenth-century main building reveals an entirely different sensibility: sober, elongated and flanked by two low wings, it bears witness to the provincial nobility's classical taste for order and moderation. A small neo-classical porch added in the mid-nineteenth century punctuates the entrance façade with a lightness that is almost anecdotal, but which says a great deal about the ambitions of the owners of the time. The setting is an integral part of the experience: the moat that encircles the complex gives the château the island-like harbour characteristic of the medieval strongholds of the Dunois region. The dense, untamed vegetation adds to the sense of discovery. Visitors with a passion for architecture or the history of the Wars of Religion will find much more to think about here than just a postcard.
Château de la Touche-Hersant eloquently illustrates the notion of architectural palimpsest: each era has left its mark without completely erasing the one that preceded it. The defensive wall, with its moat, postern and two square corner towers, forms the skeleton of the estate. The entrance gateway, set between the two poterne towers, has been preserved in a style that appears to date back to the 16th century, with a limestone structure typical of the Dun region. The 1567 building is undoubtedly the most enigmatic part of the complex. Rectangular, with two symmetrical gables, it features Renaissance windows with round arches crowned with pediments - an Italianate influence that spread to Beauce from the royal construction sites at Blois and Chambord. In the attic, on the south wall, a series of loopholes are a reminder of the building's defensive role. The chapel built in 1572, which is stylistically in keeping with the original, probably has a similar sober and functional design, without the superfluous ornamentation favoured by the nobility at court. The 18th-century main building has a classical U-shaped plan, with a main building extended by two low wings. The facades, probably of ashlar and lime plaster, are in the tradition of Beauceron castellanie architecture: rigorous openings, sober decorations, hipped or long-sloped roofs covered in slate. The 19th-century entrance porch, a discreet addition, bears witness to the neo-classical vocabulary in vogue at the time.
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Lanneray
Centre-Val de Loire